the current art of Paul Curran

Paul's Current Art

This website is to showcase my past, present and future artistic ideas. All paintings shown are for sale unless otherwise indicated. All purchasing inquiries or feedback should be directed to paulcurranart@gmail.com
Yemen Bride 1
IMG_0847
echoes
Bountiful
MAIN STREET
Framed Wall 1
Careful
FRAMED2

Latest

Yemen Echoes

Great news! Vancouver based Israeli-Yemenite artist Orit Camus and I are having our next show ‘YEMEN ECHOES’ at the LOCUS Lounge at King Ed. and Main st. MAY 2! Check out these vibrant color images and we hope to see you there!

These paintings highlight the vibrant culture found in the small country of Yemen and the Jews from the mysterious land.

 

Artist’s reception at 8pm

www.locusonmain.com/

Locus On Main Restaurant-Offering Modern & Classic Favorites With Local Ingredients. 4121 Main St, 604-708-4121.

 

Transit in Black and White

Here are a few more paintings from my current series “Transit in Black and White.” As I begin the process of moving out of the job that I have had for the last 3 years, and the city that I have lived in for the last 25, I find myself finding solace in painting the trolley buses that carried me through my childhood. Painting these groaning metal beasts, I am clinging to the memories of my childhood in the city that I love as I am carried forward into an uncertain, yet exciting, future. Enjoy.

I am currently looking for a place to exhibit this series. Please email me at paulcurranart@gmail.com if you have any suggestions!

 

 

Missing the trolley buses? I am!

I miss the blue and orange leather seats, the high pitched engine whine that made any cell phone calls a nightmare and the vertiginous hike up the stairs to board them! These were buses that took me to high school and remain an iconic part of my childhood in transit. What do you miss about these trolley dinosaurs?

Upcoming ART Show: EASTERN ECHOES

LOCUS LOUNGE 4121 MAIN ST (At King Ed) 8pm September 15

With this art exhibition I want to combine the two focuses of my degree: art history and psychology

I want to illustrate the divergence of images of Buddha from all across the world while illustrating the psychological implications of the subtly different facial expressions found in each rendition of the buddhas face.

Since I posess a degree in psychology and art history, this exhibition reaches a pinnacle in my art experience in the sense that this show is a direct result of the inspiration of my two streams of education.

Each Buddha is drawn freehand with a pencil and then painted in low viscosity black acrylic paint.

The frames are all hand made by me.

In this day and age, which is full of chaotic and colorful neo expressionism, ultra minimalist instalations and profoundly complicated performance art- the purpose of my paintings is the simplify the viewers experience in black white.

My style draws from the psychology behind Rorschach’s infamous inkblot tests and the jagged curiousity of Asian wood block prints. My art is meant to invoke emotion.

http://www.paulscurrent.com

Bountiful

Bountiful

acrylic on canvas 18 x 22


Main Aviv

Main Aviv

acrylic on canvas 24 x 26

Main Street is my cultural hub. Main Street’s chaotic, yet complimentary mash up of antique stores, dimly lit lounges, ethnic cuisine, hipster bars, breakfast cafeterias and the like is punctuated by the blazing neon signs of the bingo hall around 11th and anchored by the smoky legion at 23rd. My favorite place to watch the world go by on Main Street is on one of the picnic tables on the Reef patio on a sunny day.

For me, this funky pot pourri is mirrored in the middle east on one of my favorite corners in Tel Aviv: Dizengof and King George. This corner discerns itself from the Tel Aviv skyline with its two prehistoric looking, jagged round towers. The area is adorned with key stores, art shops, cafes, kiosks, tattoo places, spaghetti joints, thrift stores, antique stores and just down the street is quite possibly the ugliest fountain ever. Buses to Yafo and Ramat Gan careen down the street at breakneck speeds. There is no better place to drink this expressive scene in than one of the sun drenched coffee shop patios on Dizengof.

SOLD

Finished Frames

Here are a few examples of my finished framed with Buddhas inside.

Careful

Careful

acrylic on canvas 16 x 20

Frames for Reference

I have been working very hard lately making some custom frames for art. The typical frame bought at the art store is usually a 2inch floating frame, pre-painted to a dull matte black or fake wood. I have bought a few of these over the years to accentuate my art, and have been somewhat happy with the results.

Over the few weeks, and after many consultations and even a prototype made with a friend who has an Honours Physics degree, I found a style that I feel adds to the dramatic effect of my bold and monochromatic art. This result is a 1 x4 inch frame which I paint a black gloss lacquer.

This is bold and attention grabbing. This deep frame transforms my canvases from a part of the wall to a 3d sculpture which sets itself aside from any surface.

Stay tuned to see my latest Buddha paintings in these frames, and see my attempt at making a 80 x 30 inch frame for the largest of my recent pieces.

Eastern Echoes

I am currently working on painting, framing and eventually exhibiting a series of paintings called “Eastern Echoes.” These black and white acrylic paintings reflect my fascination, inspiration and reverence in both Buddhist art and facial expressions. The goal of this series is to invoke an emotion into the viewer. Frank Lloyd Wright always kept a Buddha in his studio. This series also incorporates my two fields of undergraduate study: Psychology and Art History.

The lone image of a Buddha creates a space of serenity and calmness. My paintings of different variations of Buddha’s face reflect the uniqueness and diversity found in the seemingly repetitive task of representing Buddha. Geography plays an interesting role in the development of Buddhist art, which can be seen in how Buddha’s face is represented. Buddha statues found in Pakistan and Afghanistan sometimes have curly facial hair and visible links to classical Greek sculpture which influenced the region as the spice roads opened up. These statues differ from the smooth and slender golden Buddhas found in South East Asia.

The expressions and micro-expressions found within my paintings of Buddha’s face represent the journey that each viewer must take to find a personal connection and inner meaning with the painting. Facial expression expert and clinical psychologist Paul Eckman once noted that, “The only place that will reveal the difference in a broad intense smile is the skin between the eyebrows and the upper eyelid … That will move slightly down in the genuine smile and will not move in the social or false smile. Everybody can voluntarily make their lips smile, but very few people can contract the muscle that surrounds the eyes.”

Let these Eastern Echoes take you to that genuine smile.

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